In between the blockbusters of the Thanksgiving season and the blockbusters of the Christmas season comes “Kraven the Hunter,” a movie that was never going to be a blockbuster in any season.
Sergei “Kraven” Kravinoff (Aaron Taylor-Johnson) is another one of those Spider-Man villains that’s getting his own movie because Sony still has a piece of the Spider-Man franchise, and they think fans will mistake it for the Marvel Cinematic Universe, which is owned by Disney. “Venom,” “Morbius,” and “Madame Web” are all part of the same branch.
Supposedly there are (or at least “were”) plans for a big, Avengers-style crossover down the line, but these movies keep bombing so badly that fans don’t care if they continue.
Kraven’s origin is that he and his brother Dmitri (Fred Hechinger) were brought up by their imposing Russian gangster father, Nikolai (Russell Crowe), who was big on hunting metaphors. After their mother died under mysterious circumstances, Nikolai took the boys on a hunting trip, where Sergei was mauled by a lion. He nearly died, but aspiring voodoo priestess Calypso (eventually played by Ariana DeBose) gave him a magical potion that not only restored his health, but gave him the ability to communicate with animals.
Now, Kraven is a hunter like his father, but instead of animals, he hunts people. Sometimes this just means tracking people down to talk to them (like Calypso, who’s now a lawyer), but usually it means killing bad guys.
Kraven spends most of the movie trying to protect Dmitri, whether it’s from their father’s control or from a rival gangster known as “The Rhino” (Alessandro Nivola). The Rhino employs an assassin called “The Foreigner” (Christopher Abbott), whose gimmick is that he can disappear while he counts to three, then pop out somewhere unexpected, usually to kill someone. The moment I met this character, I knew his downfall was going to come in a scene where he disappears for a two-count, then something “surprising” keeps him from reaching three.
The movie could have done without the dull Foreigner, since it already has a pretty good surefire villain in The Rhino and a complicated villain in Nikolai.
For that matter, the protagonists aren’t bad, either. I can actually see Taylor-Johnson, Hechinger, DeBose, Nivola, and Crowe making an effort here. I can see Taylor-Johnson turning Kraven into a cool character under different circumstances. I got a few chuckles out of Nivola’s scenery-chewing.
But this isn’t a movie that knows how to capitalize on the talent in its ranks. This is a movie that is here to slap together a few smoldering shots for publicity stills, a few action scenes for trailers, and call it a day. Taylor-Johnson is fine when he’s giving a performance, but not when Kraven is unconvincingly hopping around a supposed maximum-security prison. Nivola gives his character some engaging personality, but it’s hard to notice when he’s become an ugly (not terrifying, just ugly) CGI Rhino.
“Kraven the Hunter” is just another in a long line of Spider-Man-adjacent bombs. There’s only one way I see these Sony also-rans having any kind of future: Disney needs to buy them for a song and bring them over for the crossover with the one character that can make them interesting.
I’m not talking about Spider-Man; I’m talking about Deadpool! Don’t laugh (or do, I don’t care) because he’s helped the public regain interest in the likes of Elektra, Chris Evans’ Human Torch, even himself after his awful 2009 debut. He’s on a roll, and I’d love a movie that’s 20% superhero adventure and 80% jokes at the expense of how badly these characters flopped in their own movies.
And yes, “Kraven the Hunter” is such a flop.
